The first two choruses are pretty sparse, it’s predominantly bass, drums, and vocals.īy the time we get to the final chorus, the piano and strings that have been teased in each pre-chorus finally enter, along with extra vocal adlibs. While many think of this technique as useful in slow-building power ballads, these techniques are often used in upbeat pop songs.Ī good example of this is Don’t Start Now by Dua Lipa. This can help make your song feel like it’s getting progressively “bigger” as it moves along. See if you can get away with saving those ideas for the second verse or the second/third chorus. Maybe instead of using all the ideas you came up with for your first verse and chorus throughout the whole song, try removing some of them instead. In fact, you’d be surprised at how much of a difference adding or subtracting a few elements in your track can make. While that may seem daunting, most sections of a song do not have to be drastically different from each other. One of the most important things you can do to create an attention-grabbing arrangement is to make each section sonically distinctive. Many of these techniques are related to each other and can be combined to create amazing songs! 1. If you’re struggling in this area, try these tips and see if they spark your creativity.įrom layering sounds to creating special effects, there are many different tricks here for crafting incredible arrangements. One major problem is that it can be difficult to find creative ways to make your arrangement interesting. This doesn’t just mean new instruments and layers, but rather new approaches to arrangement itself. Eventually, some new ideas will need to be added to the mix. This means that we can’t expect to use the same few melodies the whole time without boring listeners. As producers, a big part of our job is to aid in the arrangement of a song, ensuring it grabs and holds the listener’s attention.
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